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I-Roy
Deriving his name, and to some extent his style, from U-Roy, Reid was also heavily influenced in his early career by Dennis Alcapone. With early recordings for Gussie Clarke, Glen Brown, Lee Perry and Bunny Lee, Reid established himself at the forefront of 1970s reggae DJ's. His debut album Presenting I Roy is considered a classic of its genre, and was followed up by a series of strong albums including Hell and Sorrow. Linton Kwesi Johnson dubs I-Roy "the mighty poet" in "Street 66" on the album, Bass Culture. For several years from 1975, I-Roy engaged in an on-record slanging match with fellow DJ Prince Jazzbo, the two trading insults on successive singles, although in reality they were good friends. In 1976, I-Roy signed to Virgin Records with whom he would go on to release five albums. On occasion he would utilise The Revolutionaries as his backing band. Reggae's move to the dancehall era in the 1980s saw I-Roy's popularity decline and although he continued to record, his output was not of the standard that he had set in the previous decade. He died in 1999 of heart failure, at the age of fifty-five.
Ian Dury and The Blockheads
Formed in 1977 to promote Ian Durys' album 'New Boots and Panties' on the first Stiff Records tour of the U.K. Chaz Jankel, Norman Watt-Roy, Charlie Charles, John Turnbull and Mick Gallagher became known as 'The Blockheads' (a reference to a song on Ian's album). As 'Ian Dury & The Blockheads' they went back out on tour, this time without Chaz Jankel, and in 1978 released 'What a Waste' a single that reached number five in the U.K. charts. They were then joined by saxophonist Davey Payne and toured the U.S.A supporting Lou Reed across North America ending with their own dates in California (with backline roadie Pete Rush) In late 1978 Chaz returned to the fold and composed 'Hit me with your Rhythm Stick' with Ian. The band recorded it in The Workhouse Studios, Old Kent Road, London and in 1979 had a number one hit record with it in the U.K. Ian Dury & The Blockheads went on to record the 'Do it Yourself' album and toured Europe and the U.K. recording 'Reasons to be Cheerful, Part 3' in Rome. Released as a single in late 1979 it reached number three in the U.K. charts. In 1980 Chaz, once again, left the band to pursue solo projects in California and Wilko Johnson joined Ian, Norman, Johnny, Charlie, Mickey and Davey to record and release a third album for Stiff Records called 'Laughter' and released 'I Want to be Straight' and 'Supermans Big Sister' as singles. They toured throughout 1981 in the U.K and Europe, sometimes augmented by Don Cherry on trumpet, ending the year with a tour of Australia. In 1982 Ian Dury & The Blockheads disbanded and were not to play together again until 1987 when they went out to Japan in June to play three shows in four days, disbanding again until 1990 when the death of Charlie Charles in September of that year re-united them to play two Benefit gigs at The Forum, Camden Town in aid of Charlies' family. Chaz returned from America and Steven Monti picked up the drumsticks for the hottest ticket in town. The band, now augmented by Merlin Rhys-Jones on guitar and Will Parnell on percussion, recorded a live album 'Warts & Audience' at the Brixton Academy in December 1990. Original content from http://www.theblockheads.com/biog.php